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A: This would be a good question to put to the candidates in the Republican debate tonight! If this guy were just a co-worker, this would be none of your business. But as you?re about to put your financial future into each other's hands, any concerns you have about his character are legitimate. Do keep in mind that whatever happens, your co-worker won't cheat on you in quite the same way as he cheated on his wife. I've never been aware of any evidence that Richard Nixon cheated on Pat, yet if you considered marital fidelity as the primary indicator of integrity, you'd have been badly misled about him. The number of sexually profligate politicians is too numerous to mention, yet some have been honest and effective leaders. Marriages end for many reasons, and his intimate life is not your business. But you should have a broad sense of this guy's character. Since your future will be so intimately tied up in his, I think it's fair to sit down and tell him that you're not prying into the reasons for his divorce, but infidelity does raise concerns about personal honesty for you. Then see what he says. If he's hostile and defensive, if he bad-mouths his wife, then weigh what you hear. If he responds that he doesn't want to discuss his personal life, but he understands your concerns and wants to assure you this private matter is separate from his professional life, you'll have a different sense. And if he tells you what you've said is the most despicable question imaginable, don't give him a standing ovation.
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HAVANA (Reuters) ? The opposition group "Ladies in White" accused the Cuban government on Sunday of "murdering" by neglect a 31-year-old dissident who died last week following a hunger strike in prison.
Ladies in White leader Berta Soler said Wilman Villar Mendoza died because the government did not respect his rights and that he was only the latest such victim to die for the same reason.
"Today is a day that the people of Cuba, like Ladies in White and the internal opposition, are in mourning. We are in mourning because we have lost a young man who gave his life for the freedom of the Cuban people," said Soler, speaking in a tree-shaded Havana park after the group's weekly silent march demanding the release of political prisoners.
"He was a dignified man, a man who really should not have
died, but ... the government killed him. It's one more murder in the Cuban government's account," she said to about 40 other white-clad women.
The Ladies in White are Cuba's leading dissident group and have been marching every Sunday in Havana since a 2003 government crackdown on political opponents.
"Why do we say murdered? This young man was only asking that they review his case, which the government did not listen to," she said.
Villar died on Thursday in a hospital in the eastern city of Santiago de Cuba after contracting pneumonia during a hunger strike in prison, dissidents said.
He launched his hunger strike shortly after he was arrested in November, put on trial and sentenced to four years in prison for crimes including disobedience, resistance and crimes against the state.
He was put in solitary confinement under difficult conditions which, combined with his lack of nourishment caused the health problems that led to his death, human rights activist Elizardo Sanchez said.
Government opponents said Villar had joined an opposition group called the Cuban Patriotic Union last summer and been an active dissident ever since.
But the Cuban government said Villar was not a dissident and
had received the best medical care possible in an attempt to
save his life.
It said his legal problems arose not from political activities, but from a violent family dispute.
Soler equated Villar's death to that of another imprisoned dissident, Orlando Zapata Tamayo, who died in February 2010 after an 85-day hunger strike.
"They let him die, the same as Orlando Zapata Tamayo. Orlando Zapata was another victim of the government, which let him die only because they didn't respect his rights," she said.
Cuba drew international condemnation for Zapata's death and has been criticized for Villar's demise by several countries including the United States.
"Villar's senseless death highlights the ongoing repression of the Cuban people and the plight faced by brave individuals standing up for the universal rights of all Cubans," a White House spokesman said on Friday.
Cuba issued a sharply worded response saying, "It is the United States government that practices torture and extra-judicial executions in the countries that it attacks and
that which uses police brutality against its own people."
(Editing by Eric Walsh)
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COMMENTARY | The Obama administration has rejected the permit application for the 1,700-mile, $7 billion Keystone XL pipeline that would connect Canadian tar sands to oil refineries in Texas.
According to ABC News, Barack Obama blamed the rejection on the "rushed and arbitrary" deadline that was set by Congress. According to that deadline -- written into the legislation that extended the payroll tax cut in December -- Obama had 60 days to either approve the pipeline project or inform the public as to why it was not in the nation's best interest to do so.
I don't agree that Obama can blame this on Congress. I think this is entirely his deal and it's one that is going to come back to haunt him when the November election comes around. In a country that sorely needs jobs, this is no time to be patently rejecting the opportunity for thousands of jobs that this pipeline could provide. No one is asking to build it willy-nilly, Mr. Obama. No one is asking that we just forget any sort of environmental regulations and slap the thing down without care.
Interestingly, on the same day as the administration rejected the Keystone Pipeline, a press release was offered by the White House stating that energy independence has been a clear priority of the Obama Administration since day one. How so?
The press release cites significant progress being made to speed up the evaluation of oil and gas resources, to develop new industry incentives and to reduce our dependence on foreign oil overall. There's even a boast of the first oil and gas lease sale in the Gulf of Mexico since the oil spill. It seems I remember this administration going to great legal lengths to keep production from going on in the gulf with a moratorium. Seems I remember lawsuits, as well, over oil and gas leases, where the lease was accepted but work was prevented from being done via a tangle of environmental demands and bureaucratic red tape. Those things happened on Obama's watch and the jobs that were lost from them also happened on his watch. So, too, will the jobs lost from his Keystone decision.
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LONDON (AP) ? A European agency is investigating a multiple sclerosis drug made by industry giant Novartis to determine whether the medicine played any role in the deaths at least 11 patients.
The drug, Gilenya, was licensed last year in the European Union to treat a severe type of multiple sclerosis. It can cause a slow heart rate when first taken and doctors closely monitor patients after the first dose.
The European Medicines Agency, which is now investigating the drug, said it isn't clear if it caused the deaths. One of the fatalities occurred in the United States, where a patient died within 24 hours of taking the first dose.
The European agency said it didn't know where the other 10 deaths occurred, but that they were reported to its drug database, which monitors side effects from medicines in the European Union.
Novartis said not all the deaths were heart related.
A spokeswoman at the U.S. Food and Drug Administration said it also is conducting a data analysis but has not made any definitive conclusions and does not know when its review will be complete.
More than 30,000 patients have taken Gilenya worldwide.
The European Medicines Agency advised doctors to increase their monitoring of patients after the first dose of the medicine. The agency said the risk of a slow heart rate after the first dose of Gilenya was known when it was approved.
Novartis AG said it was advising doctors of new recommendations on using Gilenya. They had previously said all patients should be monitored for six hours after their first dose, but are now tightening that to include continuous heart monitoring using electrocardiograms and measuring blood pressure and heart rate every hour. In certain patients, that monitoring should be extended, the drug maker said in a statement.
This new guidance applies only to patients taking their first dose, Novartis said in a statement.
The EU drug regulator hopes to finish its review of the drug by March.
___
Online:
www.ema.europa.eu
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LOS ANGELES (Reuters) ? While silent movie "The Artist" gathers steam ahead of the Oscars, the only other non-talking picture to win an Academy Award is getting a makeover as Hollywood falls back in love with the early days of cinema.
"Wings," a World War I aerial dogfight epic made in 1927, won the first ever Oscar for best picture. Paramount Pictures, which is celebrating its centenary, has restored the classic silent action film and will present it with live organ accompaniment at the headquarters of the Academy of Motion Pictures Arts and Sciences on Wednesday, ahead of a Blu-ray release on January 24th.
William Wellman, a veteran World War I fighter pilot, directed "Wings," giving 1927 audiences a view of the world most had never seen. With cameras affixed to the flimsy bi-planes, a crew of flyers created dogfights featuring death-defying aerial stunts that continue to amaze viewers today.
"The thing about 'Wings' that's so exciting is that it was the 'Avatar' and the 'Star Wars' of its day. It was a state of the art action film," said Academy archivist Randy Haberkamp.
Set in Hollywood during the advent of sound, "The Artist" is not the only new movie focusing on early cinema. Martin Scorsese's 3D family film "Hugo" centers on French film pioneer Georges Melies, and in Woody Allen's "Midnight in Paris" Owen Wilson plays a modern screenwriter time traveling back to the 1920s.
"I think the zeitgeist is the realization that silent films are not a dead art form because true cinema is a very visceral and visually-generated thing," Haberkamp said.
In "Wings," Richard Arlen played David Armstrong, a small-town kid with a taste for speed. Immune to the affection of Mary (Clara Bow), the girl next door, he is smitten by city girl Sylvia (Jobyna Ralston). His rival in romance is Jack Powell (Charles Rogers), heir to a fortune.
Volunteering for service, the two men become fast friends through their wartime experience. Early on, they meet Gary Cooper playing a doomed pilot in one of his first screen appearances, a role that catapulted him to stardom.
WAY OVER BUDGET
Budgeted at what was then a record-setting $2 million dollars, "Wings" wound up costing way over that amount while Wellman spent idle days waiting for clouds, which he claimed were needed to offset the planes against the background.
Due to his bickering with studio brass, Wellman was not invited to the 1929 Oscar ceremony even though the movie was a hit. Powered by public enthusiasm for Charles Lindbergh's daring crossing of the Atlantic, "Wings" went on to become one of the top-grossing films of the decade.
Silent, black-and-white movie "The Artist", directed by Frenchman Michel Hazanavicius, is unlikely to become a major box office blockbuster despite having won more than 40 awards, including three Golden Globes last Sunday.
But it is considered a front-runner for the best film Oscar in February, and it may represent a reexamination of cinema's early roots in an era of dwindling movie goers.
"Through festivals and the availability of different kinds of materials on streaming and DVD release, I think people are experimenting with different types of films," said Paramount archive vice-president Andrea Kalas.
"People listen to the Beatles and the latest thing, and maybe something similar is happening with film too, where we're appreciating all sorts of different movies from different eras," Kalas said.
Oddly, early film technique has become more relevant in the modern era where a proliferation of digital effects has resulted in spectacle-driven box office. Consequently, action scenes are becoming longer and dialogue scenes shorter.
"Most of the movies that we go to see now are based on action sequences," said Haberkamp. "If you don't know how to cut an action sequence, if you don't know how to stage an action sequence, you don't know too much. Frankly, that's where the silent era really was phenomenal."
With all the technical advancements through the years, not a lot has changed, according to Haberkamp. What continues to make cinema past and present a unique art form is the transposition of images and the ability to manipulate time and space.
"In the end, I don't care whether it's silent or sound I just care whether it's compelling and well made," he said. "I think that's why there are so many people looking at silents going, 'Wait a minute, there's something going on here that is more than just a dated technology.'"
(Editing by Jill Serjeant and Bob Tourtellotte)
Source: http://us.rd.yahoo.com/dailynews/rss/movies/*http%3A//news.yahoo.com/s/nm/20120119/film_nm/us_wings
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